October 16, 2024
By Mason Bates An orchestra tunes and immediately, a sense of anticipation and wonder ripples through the room. As this super-instrument brings its marvels of engineering together into a single pitch, we are witnessing both art and science. The same orchestra that explores our emotional depths is also our finest example of interactive technology. The…
October 9, 2024
Benjamin Britten (1913–1976) The Young Person’s Guide to the Orchestra, Op. 34 (1945) Compositions that teach the instruments of the orchestra make up a lively sub-genre of the literature, including beloved mainstays as Camille Saint-Saëns’s Carnival of the Animalsand Serge Prokofiev’s Peter and the Wolf. Benjamin Britten’s Young Person’s Guide to the Orchestra stands tall…
September 4, 2024
In our 2024/25 season opener, four internationally acclaimed singers with Bay Area connections – Laquita Mitchell, soprano; Kelley O’Connor, mezzo-soprano; Nicholas Phan, tenor; and Sidney Outlaw, baritone – join the California Symphony and the 100-member strong San Francisco Conservatory of Music (SFCM) Chorus for a powerful performance of BEETHOVEN’S NINTH. We asked our four soloists…
August 7, 2024
Louise Farrenc (1804–1875) Overture No. 2 in E-flat Major, Op. 24 (1834) Isabelle Vengerova. Rosina Lhevinne. Adele Marcus. Yvonne Loriod. All major-league piano teachers at major-league conservatories, and all women. They shared an unheralded predecessor in 19th century composer and pianist Louise Farrenc, mainstay piano faculty at the Paris Conservatoire for decades. She concertized in…
March 22, 2024
Robert Thies shot to fame in 1995 when he became the first American in four decades—since Van Cliburn’s Cold War win in 1958—to win a Russian piano competition, but things didn’t quite work out as planned… Robert talks with us ending up at zero after his feted win, diving into Clara Schumann’s diaries, and looking…
March 21, 2024
Saad Haddad (b. 1992) Mishwar (World Premiere, 2024) Saad Haddad, the California Symphony’s current Resident Composer, is acclaimed for his distinctive blend of Western art music and Middle Eastern idioms. Haddad has drawn Mishwar (Arabic مشوار(, meaning “A Trip,” out of his own memories. He tells us that: “Throughout my childhood, my family and I made frequent…
March 19, 2024
It’s rare that a concert is stopped midway through a piece, but that’s exactly what happened during Sunday’s MOZART SERENADES concert when part of an instrument broke off mid-performance. The heroic actions and incredible sight-reading talents of one California Symphony musician saved the day. Rarely played today, the basset horn is featured in a number…
March 18, 2024
With an impressive list of commissions and accolades to his name, Saad Haddad makes his California Symphony premiere as the 2023-2026 Young American Composer-in-Residence during BRAHMS OBSESSIONS. We talked to Saad to learn more about how he got here, his musical inspirations, and what he’s excited for as our newest resident composer. Welcome, Saad! Please…
March 7, 2024
Richard Strauss (1864–1949) Serenade in E-flat Major, Op. 7 (1881) Richard Strauss may have been a mere puppy when he wrote his Serenade for wind ensemble, but he was a frisky puppy indeed, already the author of a handful of compositions including a string quartet, a piano sonata, and even an unpublished symphony. He was…
March 5, 2024
One violin, 12 brakedrums, 6 flowerpots, windchimes (glass and metal), dustbins, plumbing pipe… You could be forgiven for mistaking the instrumentation for Lou Harrison’s Concerto for Violin and Percussion Orchestra for a shopping list for ACE Hardware.
This month in MOZART SERENADES, sandwiched between two giants of the wind repertoire—Strauss’ Serenade and Mozart’s Gran Partita—comes a quirky and rhythmic concerto by American maverick composer Lou Harrison. Concertmaster Jennifer Cho becomes the sole strings player on the program, featured alongside five stellar percussionists who use a variety of traditional and non-traditional instruments to create a unique soundscape.
